Hannah Epperson will be premiering our interdisciplinary and collaborative work “Catenary” at PS21 in Chatham, NY. We are thrilled to be in residence at the space for two weeks leading up to the premiere.

For our premiere, we are bringing on a third collaborator, Niloufar Noubakhsh, who will be bringing her composition into the project.

For more information and tickets: https://ps21chatham.org/event/hannah-epperson-rebecca-margolick-niloufar-nourbakhsh/

I am performing in Jason Martin’s duet “The One(s) Who Never Lived” which will be going on tour to Comox, Port Alice, and Sointula, presented by BC Movement Arts Society.

For dates and venues and tickets, click here: https://www.bcmovementarts.com/projects/double-bill

I will be performing “Bunker” outdoors as part of New Works Pop Up Dances 2025 Festival on Granville Island. Free and open to the public!

More information here: https://www.newworks.ca/pop-up-dances-festival-2025/

I will be performing the short version of my solo “Bunker” in Sicily this summer as part of Teatri Riflessi’s 10th Festival of short performance works.

I will be dancing in this new creation envisioned and choreographed by Anthea Seah (T.H.E Dance Company, Singapore) and Josh Martin (Company 605, Vancouver)—which brings together a creative team of performers and collaborators from both cities in a meeting of voices, seeking out what it means to build and to break.

A fragmented team is determined to “keep it together” as their bodies are launched into an alternate realm, propelled by unnatural momentum and shared delusion. As their bubble of fantasy drifts towards the spike of reality, we are thrown into an unstable world of compulsive magical thinking.

What happens when collective imagination exceeds capacity? When our wildest ambitions threaten to burst under the weight of their own making? When the sin of slowness collides with the pressure to produce? Sloth Canon unfolds as an absurdly fragile scenario, hellbent on building forward while simultaneously falling apart.

Co-produced by: The Human Expression (T.H.E) Dance Company (Singapore) & Company 605 (Vancouver, Canada)

“to begin with no end” is a collaborative piece between myself and Tushrik Fredericks that premiered in NYC at Triskelion Arts in November 2024. We are thrilled to present it in Vancouver at Dancing on the Edge.

June 12th: 9pm

June 13th: 7pm

Where: Firehall Arts Center

Tickets and more info: https://purchase.firehallartscentre.ca/EventAvailability?EventId=1202&ref=bookNow&scroll=timeAndDates

I will be dancing in “Sloth Cannon” a new creation—envisioned and choreographed by Anthea Seah (T.H.E Dance Company, Singapore) and Josh Martin (Company 605, Vancouver)—which brings together a creative team of performers and collaborators from both cities in a meeting of voices, seeking out what it means to build and to break.

Co-produced by: The Human Expression (T.H.E) Dance Company (Singapore) & Company 605 (Vancouver, Canada)

I created a new work called “Reveries” for AU Tour Dance Company that premiered at MidSeason at the Vancouver Playhouse

I will be performing a short solo as part of Dances for a Small Stage as part of the 2025 Push Festival

More information here:

https://www.smallstage.ca/dances-for-a-small-stage/smallstage2025

photo by: Michael Slobodian, from “Fortress”

Tushrik Fredericks and I are premiering our co-creation on November 21st to 23rd in Brooklyn, NY at Triskelion Arts.

Support for this project was provided by Danse Mirage Foundation, Inc, Trust for Mutual Understanding, and Baryshnikov Arts Center Artist Residency.

More Information Here

In partnership with The Dance Centre, Chutzpah! presents the world premiere of Livona Ellis and Rebecca Margolick’s collaborative duet “Fortress” in a Split Bill with Ne Sans Opera & Dance.

November 8th and 9th at The Dance Centre Vancouver.

Tickets here

Description: In their debut collaborative piece, Margolick and Ellis explore their connection to their ever-evolving relationship to femininity, and the balance between their strength and vulnerability.  Seeking both discomfort and safety, they draw inspiration from the matriarchs in their lives, building toward a deeper understanding of themselves.

I will be in residence at the Dance Centre, collaborating with violinist Hannah Epperson. We will be revisiting our piece “Catenary” which we began creating in 2018 but took a long hiatus from because of the pandemic.

There will be a public work in progress sharing on: July 25th at 17hr PST

I will be premiering Reservoir a new solo, at Triskelion Arts in Brooklyn NY as part of their Split Bill series. I am excited to be sharing the evening with Kashia Kancey performing her solo I Believed It Too.

March 14th and 15th at 8pm

Tickets can be purchased here: HERE (they’re cheaper in advance, so don’t wait!)